Tolkien's Sanctifying Myth, by Bradley J. Birzer in The Imaginative Conservative.
Myth, J.R.R. Tolkien thought, can convey the sort of profound truth that is intransigent to description or analysis in terms of facts and figures. But, Tolkien admitted, myth can be dangerous if it remains pagan. Therefore, one must sanctify it.
To enter faerie—that is, a sacramental and liturgical understanding of creation—is to open oneself to the gradual discovery of beauty, truth, and excellence.[1] One arrives in faerie only by invitation and, even then, only at one’s peril. The truths to be found within faerie are greater than those that can be obtained through mere human understanding; and one finds within faerie that even the greatest works of man are as nothing compared with the majesty of creation. To enter faerie is, paradoxically, both a humbling and exhilarating experience. This is what the Oxford don and scholar J.R.R. Tolkien firmly believed.
The last story Tolkien published prior to his death, “Smith of Wootton Major,” follows a normal but charitably inclined man who has been graced with the ability to make extraordinarily beautiful things while metal smithing. Smith, as he is known, discovered the gift of grace on his tenth birthday, when the dawn engulfed him and “passed on like a wave of music into the West, as the sun rose above the rim of the world.”[2] Like the earth at the end of Eliot’s “Wasteland,” Tolkien’s Smith had been baptized, and through this gift he receives an invitation to faerie. While visiting that world, he discovers that in it he is the least of beings. Its beauty, however, entices him, and he spends entire days “looking only at one tree or one flower.”[3] The depth of each thing astounds him. “Wonders and mysteries,” many of them terrifying in their overwhelming beauty and truth, abound in faerie, Smith discovers, and he dwells on such wonders even when he is no longer in faerie.[4] Nevertheless, some encounters terrify him: ...
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