Sean Daily, editor of Gilbert Magazine, is a punk rock fan. Check out his great post about punk rock music (which he ties into Distributism at the very end). Excerpt:
Punk as a genre arose simultaneously in America and the UK, but there were distinct sub-genres and styles depending on where it came from. There was Los Angels punk (bands like X and the Vandals), New York punk (the Ramones) and London punk (the Clash and, of course, the Sex Pistols). Of course there were a lot more bands than these, and there were other regional outposts, such as Athens Georgia (home of the B-52’s), but these are the most recognizable examples. The American Midwest, particularly Chicago, Madison (yes, Madison), and Minneapolis also developed its own regional sound.
Of these regions, LA punk was most heavily influenced by R&B and country. X even released a purely country-western LP, Poor Little Critter on the Road, for which they renamed themselves the Knitters. It is a BRILLIANT album, and nearly impossible to find (I found a scratched copy in a used record store in St. Paul -- still have it; and you can buy it here now -- and look, I guess X put out a second Knitters album. The things you can learn on Amazon...). Another West Coast band from a little later in that era, the Beat Farmers, shamelessly flaunted their rockabilly roots (I saw them play multiple times at the Cabooze in Minneapolis). The duo Mojo Nixon & Skid Roper, from San Diego, even took the stage with Skid playing a washboard for percussion.
The London punkers also were heavily influenced by American R&B and country, especially the Clash. To listen to their masterpiece, London Calling, is to listen to a band steeped in American musical traditions and styles: jazz, country, rockabilly, blues, R&B, folk, and more, with some reggae and Hispanic influences thrown in for good measure.
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