A budding teenage writer cites ten examples she wants to follow in her writing. It's quite ambitious, especially number 2:
"1) For plots, I want to write stories that sound like something out of a Bob Dylan ballad circa Blood on the Tracks. Old-timey feeling, semi-tragic, and driven towards some inevitable, unknowable wisdom. I want them to have a sanctity in the highest moment and a despair in the lowest, with a bit of both and an extra taste of notalgia in the end.
"2) For theory and sunsets, I'd like G. K. Chesterton, rollicking haphazard paradoxes and ravenous orthodoxy, crimson slashed through with vermillion and drenched in liquid gold."